نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکتری علوم سیاسی، دانشگاه فردوسی، مشهد، ایران.
2 دانشیار گروه علوم سیاسی، دانشگاه بیرجند، بیرجند، ایران.
3 استادیار گروه علوم سیاسی، دانشگاه بیرجند، بیرجند، ایران.
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
The war in Afghanistan, one of the most significant events of the post-communism era in the 2000s, has had a profound and widespread impact on the international system's structure and U.S. foreign policy. Essentially, the war, as a form of attrition warfare, has influenced the political and media landscape of the country, shaping American behavioral patterns towards Afghanistan. In this context, the United States, along with Hollywood, has acted as a power-building catalyst, contributing to the representation of the struggle and war for security and peace. Hollywood's media representation during the war on terrorism in countries like Afghanistan fundamentally served the purpose of American-centric order-making. Considering this, the primary question of this research is: What signs does Hollywood cinema's narrative of the war in Afghanistan contain, and what goal does it ultimately pursue? The aim of this analysis is to examine the war in Afghanistan from the perspective of semiotic framing, both self-constructed and other-constructed. This premise is based on the assumption that films such as "War Machine" and "The Outpost" attempt to establish American order in Afghanistan. Methodologically, this article is based on media semiotics with a narrative on international relations, directly referencing the mentioned works to analyze the primary question.
کلیدواژه‌ها [English]
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